Uji “Hahan” Handoko (Indonesia)

Uji “Hahan” Handoko (Indonesia)

Uji “Hahan” Handoko (Magelang – Indonesia, 1983)

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Mengakar dalam medan seni rupa kontemporer Indonesia, dan berbasis di Yogyakarta, Hahan dikenal luas lewat visual budaya dan budaya visual populer yang ia hadirkan dalam karya-karyanya. Melalui nukilan yang tampil sedemikian berselera wawasan global, Hahan juga menjelajahi dan melintasi jangkauan muatan dalam pada karyanya. Terutama pada karya-karyanya yang belakangan, ia menyebrangi lingkup konteks medan seni rupa sebagai muatan gagasan dan sasaran tematik, terutama mengenai sentralitas median distribusi dalam medan dan mekanisme seni rupa kontemporer Indonesia. Karakter-karakter dan tokoh-tokoh dalam penggambarannya seolah menjadi muncul dan mencuat, menanggapi konteks yang mengelilingi penciptaannya sendiri, untuk hadir dalam percampuran yang khas.

Hahan menjalankan program residensi JCCB4 di PT Sango Ceramics, Semarang, pada bulan September – October 2016.

Deeply rooted in the contemporary art world of Indonesia, the Yogyakarta-based Hahan is widely known through the use of popular visual culture found in his works. Through such rather global insights of artistic taste, Hahan also explores and traverses the boundaries on its inner basis of production. His latest works has shown cross of theme into the context of the art world, primarily on the centrality of the market and distribution means in Indonesia. The characters Hahan created then appears as if taking authority of themselves, making statements and reacting to the perceived deterministic context surrounding their own creation.

 Hahan did his JCCB4 Residency program in PT Sango Ceramics, Semarang, September – October 2016.

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Liability: Between Lack And Achievement. daiso casting, steam coal clay dying, glazespray, auto run burning kiln, vacuum plating on ceramic. 250 x 56 x 60 cm. 2016


Residency Supported by

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